Staying faithful to the James M. Cain novel, Billy Wilder’s Double Indemnity (1944) is a lesson in rapid fire dialogue and how to bring a memorable femme fatale to the screen. Barbara Stanwyck’s Phyllis and Fred MacMurray’s Walter Neff play a dangerous game from the start – and it’s a grim journey from there. Insurance man MacMurray’s no-nonsense approach to murder and Stanwyck’s coolness make for a chilling look at an amoral universe where insurance payoffs trump life. (In general, helping beautiful women dispose of doltish husbands doesn’t go well for male accomplices in Noir: see Body Heat, The Postman Always Rings Twice, the Last Seduction, etc.) In the end, when Neff’s boss, Edward G. Robinson, figures things out it seems more a victory for actuarial tables than for morality.
SPACE March 11, 7 p.m., $8. Advance tickets can be purchased here.
Because film matters
With “screens” on our laptops and smart phones, the viewing experience grows more and more solitary. So there’s something wonderful and enriching about a group of people coming together to watch a film – a real film – of celluloid frames speeding at 24 fps past the bright lamp of a projector.
The projected image has depth; the subtle flicker brings it to life way that digital technology cannot. The audience gets to to experience together the true magic of cinema.
Four years ago, we launched KINONIK to promote the study and support the enjoyment of cinema through theatrical screenings projected on film.
We screen 16mm films throughout Portland and are collaborating with the St. Lawrence Arts Center, SPACE Gallery, and Mayo St. Arts. Our screenings include context about the films and the chance to talk about them following the shows. Our archive features eclectic selections that offer a rich overview of film from the early days of cinema to the 60s. Our 250-film collection is comprised of the familiar (Chaplin, Pabst, Renoir, Truffaut) and the less-known (McLaren, Tsarevitch, Sucksdorff).
Join us in the shared darkness to rediscover the power of 24 fps communal cinema.
Through theatrical screenings of projected film and thoughtful audience discussion around it, as well as educational film immersion programs (in planning stages) for children and adults, we strive to support and enrich Portland’s cultural community.
Central to our mission is making screenings accessible to all – at a price point nearly every Portlander can afford. We are also working with local educational/arts organizations to find ways to dovetail with existing programs to bring programs of projected silent films, free of charge, to children Portland public schools.
- Bring the value of a cinematic experience to both experienced and new generations of filmgoers.
- Generate and sustain thoughtful dialogue about the value of cinema and its role in society.
- Establish outlets for film education and a permanent “home” for our growing archive and resources.
- Enrich the Portland cultural community through screenings that make cinema accessible to all.
Andrew Graham, Acting Executive Director
Sharing our films costs money. Licensing fees, conservation and storage costs add up. Your support makes our work possible.
To support KINONIK, donate securely and quickly online by clicking the Donate button:
Donations may also be mailed to KINONIK, care of Peter Weed, 33 Chamberlain Ave., Portland, Maine, 04101. For more information, contact Peter Weed at 207.415.9086 or firstname.lastname@example.org.
KINONIK is a 501c3 organization. Donations are tax deductible.